2024>25 Programme


2022>23 Programme
Interdisciplinary Methodologies

The 2022 to 2023 activity of the AHA Research Network focused on key questions across three research threads: FIELDWORKARCHIVES, and MEMORY to ask how academics and practitioners can develop genuine interdisciplinary methodologies, connections, tools, frameworks and applications between the fields of contemporary art, archaeology and heritage.

  • #1
    Convergent Architectural (Re)presentations: Visual Narrations of Pompeii in Illustrated Travel Books and Silent Films
    Aylin Atacan - Visiting Research Fellow, UCL Greek & Latin

    #2
    A Field of Possible Finds: interconnected sites in (re)performing
    Luce Choules - Artist

    #3
    & (How to catch a lobster)
    Stephen Sewell - Artist, Filmmaker & Educator

    #4
    Memory and Storytelling
    Jumana Abboud and Vaishali Prazmari - Artists

    #5
    Exhibiting the Misanthropocene as Method
    Dean Sully - Archaeologist

    #6
    Maternal Exhumations
    Dima Srouji - Architect, Artist and Writer

    #7
    Archival Assemblages
    Jagdish Patel - Artist and Activist

    #8
    Quantum Ghost Continuum
    Libita Sibungu - Artist

    #9
    Radical Surface: Curatorial Methodologies and Epistemic Praxis
    Carolina Rito - Professor of Creative Practice Research, at the Research Centre for Arts, Memory and Communities (CAMC)

    #10
    Welsh Coal Tips – A Slippery Heritage
    Ben Walkling - Geographer

    #11
    Material Histories & Social Imaginations
    Liza Prins - Artist

    #12
    Collecting fragments: establishing connections between contemporary and historical practice
    Sarah Capel - Artist

    #13
    Y el barro se hizo eterno
    Kate Morrell - Artist

  • #1
    Reading Group: ‘Men Who Eat Ringforts’ with Coílin O’Connell and Meg Hadfield

    #2
    Workshop: Feral Heritage + Critical Memoir, with Professor Catlin DeSilvey


This Research Network examines the varied ways in which archaeology, heritage and art converge across a broad range of concepts and practices – from artistic methodologies in fieldwork, to interventions in the museum space to archaeological interpretations which deploy and take inspiration from contemporary art. Whilst the network remains open to diverse topics and research strands, key themes reflect the strengths of cross-disciplinary research across the Institute of Archaeology, in particular the Heritage Studies Section, and in the Slade School of Fine Art.

These include: the use of art to critique archaeology (and vice-versa); shared approaches to fieldwork and place-specificity; the emergence of the photo-essay as a critical tool in archaeology and heritage; the role of art in public archaeology; artists, archaeologists and heritage practitioners as activists; challenging the notion of the ‘contemporary’ and emergent future in art, archaeology and heritage; intersections of conservation and creativity and the importance of art and heritage to wellbeing.


Archaeology and heritage have a long shared history with art, as well as crucial points of tension which help animate their convergence and divergence. Artists have routinely looked to archaeology for inspiration, from painters referencing the spectacular discoveries of Pompeii to the adoption of an 'archaeological lens' by contemporary artists keen to approach landscapes, fieldwork or objects in new ways. At the same time, archaeologists and other heritage professionals have made significant use of artistic practice to better understand their field of interest, whether in the form of photography, creative writing, performance, sculpture or simply sketching unearthed material.

In recent years the critical examination of these cross-fertilisations has become a vibrant area of practice and research in its own right. This research network looks to deepen this enquiry, and ask what innovative approaches can be developed that go beyond inspiration, through active engagement and collaboration across these fields. 


Previous events


The network held its inaugural event at the Institute of Archaeology on 23 May 2014. A display of artwork was exhibited in an informal setting, aiming to re-imagine the 19th Century 'Conversazione' - a relaxed forum for discussion of the arts and sciences.

The network held its 'Conversazione II' at the Institute on 12 December 2014.

The network co-organised the Institute Research Seminar series on 'Future Pasts | Present Futures: Critical Conversations on the 'Contemporary' across disciplines' (Term II, Spring 2015).

The network organised a group visit to The Museum of Innocence exhibition at Somerset House (March 2016).

The network held its 'Conversazione III: Fragments - Archaeologies in and of the architectural library' at the RIBA on 21 July 2016.

The network organised a lecture by acclaimed artist Marguerite Humeau at UCL on 19 October 2016.

Contact

If you would like to be added to the mailing list for upcoming events or to the AHA MSTeams group to join further discussion please email:

nastassja.simensky.20@ucl.ac.uk 

or

ellen.pavey.18@ucl.ac.uk