2024>25 Programme
The Limits of the Field

The 2024 to 2025 activity of the AHA Research Network brings together artists, academics and practitioners across a range of disciplines to consider the politics of FIELDWORK, and the circulation and economies of ARTEFACTS and COLLECTIONS.

  • Insertion, intervention or in-disciplinarity? Contemporary art and the display of ancient Egypt

    Alice Stevenson

    Tracing The Invisible : Slow Violence and the Right of Return

    Inas Halabi

    Maeve Brennan and Summer Austin

    Other Worlds
    David Blandy

    Making Worlds with Artists and Archaeologists
    Colleen Morgan

    Art and Archaeology in Orkney: Past, Present and Future
    Antonia Thomas

    Entering the Age of Devastation : Archaeology 
in the Time of the Anthropocene
    Laurent Olivier

    Returning to a Home that isn’t There: An Auto-archaeology of My Childhood Summerhouse
    Anatolijs Venovcevs

    Moonhorns
    Leonie Brandner

  • Wild Archaeologies I - in collaboration with Jason Katz

    Nottingham Contemporary Wednesday Walkthrough: Claudia Martínez Garay with Nastassja Simensky

    Wild ArchaeologiesII : historical inquiry & assembling the contemporary - in collaboration with Jason Katz

    Other Worlds
    David Blandy

    Leaky Transmissions Symposium


2022>23 Programme
Interdisciplinary Methodologies

The 2022 to 2023 activity of the AHA Research Network focused on key questions across two research threads, ARCHIVES, and MEMORY to ask how academics and practitioners can develop genuine interdisciplinary methodologies, connections, tools, frameworks and applications between the fields of contemporary art, archaeology and heritage.


  • Convergent Architectural (Re)presentations: Visual Narrations of Pompeii in Illustrated Travel Books and Silent Films
    Aylin Atacan - Visiting Research Fellow, UCL Greek & Latin

    A Field of Possible Finds: interconnected sites in (re)performing
    Luce Choules - Artist

    & (How to catch a lobster)
    Stephen Sewell - Artist, Filmmaker & Educator

    Memory and Storytelling
    Jumana Abboud and Vaishali Prazmari - Artists

    Exhibiting the Misanthropocene as Method
    Dean Sully - Archaeologist

    Maternal Exhumations
    Dima Srouji - Architect, Artist and Writer

    Archival Assemblages
    Jagdish Patel - Artist and Activist

    Quantum Ghost Continuum
    Libita Sibungu - Artist

    Radical Surface: Curatorial Methodologies and Epistemic Praxis
    Carolina Rito - Professor of Creative Practice Research, at the Research Centre for Arts, Memory and Communities (CAMC)

    Welsh Coal Tips – A Slippery Heritage
    Ben Walkling - Geographer

    Material Histories & Social Imaginations
    Liza Prins - Artist

    Collecting fragments: establishing connections between contemporary and historical practice
    Sarah Capel - Artist

    Y el barro se hizo eterno
    Kate Morrell - Artist

  • Reading Group: ‘Men Who Eat Ringforts’ with Coílin O’Connell and Meg Hadfield


    Workshop: Feral Heritage + Critical Memoir, with Professor Catlin DeSilvey


This Research Network examines the varied ways in which archaeology, heritage and art converge across a broad range of concepts and practices – from artistic methodologies in fieldwork, to interventions in the museum space to archaeological interpretations which deploy and take inspiration from contemporary art. Whilst the network remains open to diverse topics and research strands, key themes reflect the strengths of cross-disciplinary research across the Institute of Archaeology, in particular the Heritage Studies Section, and in the Slade School of Fine Art.

These include: the use of art to critique archaeology (and vice-versa); shared approaches to fieldwork and place-specificity; the emergence of the photo-essay as a critical tool in archaeology and heritage; the role of art in public archaeology; artists, archaeologists and heritage practitioners as activists; challenging the notion of the ‘contemporary’ and emergent future in art, archaeology and heritage; intersections of conservation and creativity and the importance of art and heritage to wellbeing.


Archaeology and heritage have a long shared history with art, as well as crucial points of tension which help animate their convergence and divergence. Artists have routinely looked to archaeology for inspiration, from painters referencing the spectacular discoveries of Pompeii to the adoption of an 'archaeological lens' by contemporary artists keen to approach landscapes, fieldwork or objects in new ways. At the same time, archaeologists and other heritage professionals have made significant use of artistic practice to better understand their field of interest, whether in the form of photography, creative writing, performance, sculpture or simply sketching unearthed material.

In recent years the critical examination of these cross-fertilisations has become a vibrant area of practice and research in its own right. This research network looks to deepen this enquiry, and ask what innovative approaches can be developed that go beyond inspiration, through active engagement and collaboration across these fields. 


Previous events


The network held its inaugural event at the Institute of Archaeology on 23 May 2014. A display of artwork was exhibited in an informal setting, aiming to re-imagine the 19th Century 'Conversazione' - a relaxed forum for discussion of the arts and sciences.

The network held its 'Conversazione II' at the Institute on 12 December 2014.

The network co-organised the Institute Research Seminar series on 'Future Pasts | Present Futures: Critical Conversations on the 'Contemporary' across disciplines' (Term II, Spring 2015).

The network organised a group visit to The Museum of Innocence exhibition at Somerset House (March 2016).

The network held its 'Conversazione III: Fragments - Archaeologies in and of the architectural library' at the RIBA on 21 July 2016.

The network organised a lecture by acclaimed artist Marguerite Humeau at UCL on 19 October 2016.

Contact

If you would like to be added to the mailing list for upcoming events or to the AHA MSTeams group to join further discussion please email:

nastassja.simensky.20@ucl.ac.uk 

Partners

Institute of Archaeology

Heritage Studies Section

Slade School of Fine Art.

In Ruins

The 2025 programme is supported by Arts Council England.

The 2024 programme was kindly supported with a grant from the Institute of Advanced Studies.

The 2022/23 programme was kindly supported through a grant from the Centre for Critical Heritage Studies (CCHS)

Network Coordinators

Beverley Butler

Nastassja Simensky

Previous Coordinators